the boys club for men

 

Stage fright doesn't stem from the terror of facing an audience but, rather, a microphone that looks like a beatnik.

I paid $10 to participate in a comedy contest at the Denver Improv at Northfield on Wednesday the 14th of March at 7:30pm. I also paid for Andrew Raschke. He paid me back with beer. I’d love it if you came out to support me as a stand-up comedian! I’m performing 5 minutes of my finest d!ck and f@rt jokes, which is to say I won’t be performing any of my d!ck and f@rt jokes. If you’re interested in coming down (and you really should be), it’s $5. You’ll have to call and make reservations. If you call me, I’ll make reservations on your behalf.

Denver Improv at Northfield

8246 E. 49th ave #1400

Denver, CO 80238

(303) 307-1777

 

Chris Carlton is producing the Colorado’s Most Wanted Comedy Showcase at the Toad Tavern. That’s right…comedy. Your’s truly is going to be on. I’ll tell a few jokes, doff my hat and collect roses from eager fans. Then I’ll wake up and realize they’re booing me and hurling beer bottles at my head. “Go to hell! And thanks for coming out,” I’ll say. Seriously though…it’s going to be pretty good. You should come because these guys are hilarious: me (of course), Aaron SnyderSam BuenoSteffen Williamson, Vince Curran, Andrew Rashke, feature act Stacy Roquemore headliner Ben Adams (sounds like a Benanums). Sunday, February 26th at 7pm. $5 at the door 21+. Here, look at the cool poster…

 

Dickey Bill hosts Open Mic Comedy

The Cork Bar & Grill

313 W Drake Rd

Fort Collins CO 80526 (map)

(970)226-1212

DBW contact info; (970)231-1639 richardwwagner@gmail.com

Open Mic Comedy at the Cork on Wednesdays is a great place to introduce new material or tighten up a set order. The crowd varies depending on who is rumored to show up. There are about 8 local comics that routinely get stage time. There is always someone new trying to break in to the comedy scene. We have had some comedians travel up from Denver for a new audience to entertain. Experienced comics can get ten minutes stage time. New comics rarely go longer than five. The beer is cheap, the food is good and the entertainment is FREE.

See you soon ot there in comedy land.

Dickey Bill

This review was written by the incredible Richard “Dickey” Bill Wagner, a comedian and humorist located in northern Colorado.

 

What’s your favorite bar named after a bird?  No, it’s not Boozie, the foul mouthed parrot you keep in a cage.  It’s the Meadowlark, silly!  Come down Sunday to the Meadowlark 2701 Larimer and see Denvers best comics! Aaron Maslow (me), Alicia Jacobs, Brent The Great, Rob Gleeson and hosted by the wonderfully talented, Tim Coleman! No cover! 9pm.  I’m guessing that hands down you’ll have the best time of your entire life, ever (not an understatement).

 

Old Chicago in LoDo (14th & Market) runs an open mic night every Wednesday at 8:30.  It’s hosted by Jesse Carter of Agitated Productions and is followed by a contest (complete with cash prize) and a headlining act.  Anyone can perform in the open mic just by talking to Jesse before the show. Performing in the contest is by invitation.

The stage is in the back bar portion of the restaurant so you won’t usually get caught up bothering any regulars (for new comers, this is less intimidating).  The area with the stage is a long and narrow room.  This makes it tempting for patrons to talk amongst themselves further back in the room.  There is a 4×4 pole in front of center stage which makes it difficult for comics to see the entire audience.  On the plus side, the bar is clean and Jesse always organizes a fantastic contest and headliner.

 

What’s the difference between a good comedian and a not-so-good comedian?  Jokes, folks.   A comedian without jokes is like a cat without claws and eyes.  It’s not much of a cat, really.  If a comedian is going to survive and (potentially) thrive, he’s got to develop jokes.

As I’ve mentioned before, the quality of a comedian’s jokes aren’t nearly as important as the quantity. Quantity begets quality. This evolution is a byproduct of successful and productive time management (that’s right, I went straight to middle management jargon). Simply put, a good comedian has discipline.

Writing good jokes is a process. It starts with an idea that is written into a joke. The joke is performed and then tweaked over and over and over and over again. The final product is a fine gem: a joke that sounds so fresh, you’d think the comedian just came up with it.

Realizing this process, however, we can make the assessment that a good joke is stale to the comedian (and his wife). He has said it so many times that the words have lost meaning yet, he continues to fill the words with significance.  He tries to mold his creation further even though he has exhausted any and all fresh permutations.  He fully commits to the joke and sells it each and every time he performs; at every dive bar open mic, every comedy show and every event. To him, it’s a painstaking process, yet he sticks it out.  This is discipline.

The benefit for a comedian is that he has an endless stream of thoughts and ideas that can make this transformation.  As a joke loses its appeal, a comedian can hang it up and repeat this process on something new.  Once again, it takes a certain amount of discipline to get sucked into that void.  Some people dig it, though.

Good comedians are those that enjoy the process and regularly take the time to transform their material.  It’s the only profession I can think of where hard work and commitment are laughable.

 

Thus far, I have managed to accomplish some work in the field of stand up comedy.  By “some work”, of course, I mean “I have made a complete ass of myself”.  In any case, it’s hilarious…here, have a listen:

Apr 18 Standup by wolsamnoraa

If you don’t understand the part about Tourette’s Syndrome, you’ll just have to come out and see it.

 

Buckin’ Harley’s is an open mic comedy show on Monday nights, located at 1451 Cortez St, Denver, CO, 80221, (303) 487-0020.

THE GOOD:

Buckin’ Harley’s has an excellent stage: it’s well lit and has lots of space to roam around.

Buckin’ Harley’s gets out just in time to make it to the Lion’s Lair for a second set for the night. If you’re looking to rack up the stage time on a Monday night Buckin’ is a great first show to hit.

Buckin’ Harley’s is very new-comic friendly. This is not a stage where you have to worry about hecklers. If you’re new to comedy than hitting one of the late-late shows with a drunken audience might be daunting. None of that going on here. The audience is very supportive of new comics and first timers still trying to work out kinks in their material.

All the comics I’ve met at Buckin’ Harley’s are very friendly. This is not a ‘clicky’ venue where you won’t feel welcome if you’re not on the in-crowd. It’s an excellent place to network. Many comics will hang out after their set, drink, smoke on the patio, and trade stories.

There’s a great mixture of seasoned comics and newbies. This is good for the audience as well as the comics. If a comic bombs than you can be sure there’s a seasoned comic who’s ready to get the show back on track.

The audience isn’t roudy. The show starts early, so you won’t find drunk audience members shouting during your set. Even the people playing pool on the other side of the room don’t get out of hand.

The number of comics per night is usually low. Many open mics you might end up number 20 on the list for the night. By the time you hit the stage the audience is exhausted (if they stuck around at all). There’s usually between 5-8 comics on a given night here, so the audience won’t be sick of watching comedy by the time you hit the stage.

The producer is very relaxed about stage time. He’s not going to cut the lights off on you if you go a little over. Since there’s few comics he’ll usually work with you if you want a longer set (as long as you keep the audience laughing).

The show ends with a headliner. Audience members rarely leave before the show is over. So no worrying about a comedian bringing 10 people who all get up and leave before you get on stage.

It’s a true open mic. You don’t need to know anybody and there’s no signing up in advance. Show up and you will get some stage time.

THE BAD:

Audience dynamics can get a pretty tough at Buckin’ Harley’s. Audience members tend to spread themselves out in this large venue. The audience is situated on a large dance floor with a couple audience members per table and lots of empty space inbetween. Making a connection and engaging the audience can be difficult. If you’re not careful you can lose the audience to table talk.

The laughter can disipate quickly, making it tough to figure out just how many laughs you’re getting. This is because Buckin’ Harley’s has one giant room instead of a seperate room for shows. There are always several people way in the back of the club listening, but you’re never going to hear them laughing cause they’re simply too far away from the stage.

There’s no light to let you know you’re running out of time. The producer usually makes an “X” with his arms to let you know your time is up. This is very easy to miss. So if you’re use to longer sets make sure you keep an eye out for the producer.

This review was written by Drew Volle, comedian and host of www.creativestandup.com and author of the book, The Making of Great Comedy which can be found on his website.

 

If you’re looking for a good time, then you need to get your handsome little buns to the comedy show at the Castle Bar and Grill tonight.   I will be emceeing this wonderfully comedic event and I look forward to seeing you there.  You are more wonderful than words can describe and that’s why your presence means so much.  Additionally, there are going to be several comics that will knock your socks off including Troy BaxleyAndrew SmyczekNathan Lund and Bobby Crane.

See this flyer and then wash out your eyes and then drive to the show.

 

I’ve wanted to be a comedian since as far back as I could remember.  There were two distinct moments in my life that initiated my desire.  When I was in preschool, I vividly remember two teachers discussing the difference between the spelling of a male “comedian” and a female “comedienne”.  One of the teachers made a joke about how comediennes sound like Canadians but are less funny.  She proceeded to spell out the words in her explanation of the joke.  It wasn’t very funny after that, thus, proving her point.  Even though I had no idea what they were gabbing about, I felt intrigued just by the word.  I think I may have rounded out the day by stealing some communal Legos and taking a nap.

The second instance was in the second grade.  I remember this kid named Mark Melchior who would suck the on the neck hole of his Ninja Turtle tee shirts and get spit all over himself.  He always looked like he had just finished jogging.  He has nothing to do with my memory other than he was in the class.

My realization to become a comedian came when my very Korean teacher, Mrs. Simpson, asked the class to define what it meant for the dinosaurs “to go extinct”.  I was leaning back in my chair like a cool kid and just shouted out, “It’s when they just said, ‘See ya’ later. We’re outta here, and we’re not coming back!’”.  Comic genius.  My response was perfectly timed and my demeanor was so confident that the class laughed out loud.  It felt good.

Up until that point in the second grade, I was kind of a bully.  I didn’t have many friends and I pummeled the ones I managed to keep.  I remember being sad a lot and having long awkward talks with my cat, Max.  I felt I had purpose after that and made the most of my natural ability.  I started gaining weight make my wit less intimidating and more accessible.  I was the funny man in and around school.  I was voted the runner-up class clown my senior year of high school.

It wasn’t until the end of my collegiate days, however, that I vocalized my interest in becoming a performer.  The idea festered in my mind.  The fact that I never acted on the urge to try stand up burned me out mentally.  No job ever seemed good enough for me because I was limiting my creative capacity.  It led me to belittle myself.  I thought the fact that I hadn’t tried it, made me too old to start and made the idea too unreasonable.

After quitting an extremely stupid job, I got fired up about trying stand up comedy.  I was scared.  I didn’t (and still don’t) want to fail.  It’s equally frightening to think that I might succeed.  I’m a funny guy and I work hard.  I have a shot at a career.  I’m scared that I might not be able to keep up the discipline that’s required to become successful.

Even with those fears,  encouragement from my friends and loved ones helped me (even after the pummeling).  A few months after quitting my job, I wrote some “jokes” and got on stage.  I’m glad I tried.  I’ve got a long way to go and a lot of work to do.  I’m certain that I’m going to do it because I want to do it.  This isn’t just a dream; it’s a feeling…and it feels good.  I recommend it.

 

The Blue Moo’d is a jazz bar located in Littleton at the cross streets of Platte Canyon and Bowles (map).  The open mic is hosted by Sean (something, something) and starts around 8pm.  Get there a little early for sign in.  The stage is set up for bands and accommodates performers with a spot light and a great PA.  Comics get two free drinks.  Check out their acoustic open mic on Tuesday nights as well.

http://www.bluemoodlounge.com/

 

Ty and Aaron really stick it to the man this week.  They discuss Aaron’s new job, how to make prison wine and play the filthiest game of “Would You Rather” that our big friend in sky, J.C., has ever heard.  If these boys don’t make it into Heaven, I wouldn’t be surprised.  Stick around for a few good stories about pooping in urinals and other parts of the toilet.  Thanks for coming by!

http://www.ustream.tv/recorded/6123445

 

Come one come all to the most thrilling live comedy event there’s ever been.  If you want to come, the show is in downtown Littleton at a little bar called Karma.  It’s this Saturday (4/10) at 8:00pm…there is a $10.00 cover.  If you say you’re with me, your cover will only be $10.00.  I will be performing.  You’re welcome to come and laugh/hurl rotten fruit.

 

You’ll often hear that quality is a better attribute than quantity.  For most things this is true.  While eating my weight in Snickers sounds heavenly, my waistline and wallet are better off if I just savor one or two.

Quality often supersedes quantity but not within the realm of comedy.  This sounds counterintuitive.  It seems that the comedian with quality material is a better comedian.  What gets overlooked in this example is that comedic material takes time to develop.

Rarely is a good joke written.  Usually a good joke is one that is rewritten and rehearsed over and over.  With time and practice, a joke can evolve into a prized piece.  As a series of jokes take shape, a bit forms and soon a comedian might have a decent two minutes.

Of course, not every concept makes a good joke.  A comedian must note each idea and invest time and energy turning that idea into a joke.  Dozens of ideas a day run a gamut of tests to prove their hilarity.  Some make laughs while others find their way into the ever growing pile of bad ideas/my jokes.

It is for this reason that quantity is of the utmost importance in comedy.  The more ideas that a comedian has, the more opportunity he has to create quality material.  Quantity leads to quality.

So, the next time you hear a comics’ great joke, take a moment and think of the process.  Realize it is the quantity of ideas, time and effort that made you giggle and then tip accordingly.

 

Ty and Aaron blow it up this week with a ton of new stuff. If you like religious debate and awkwardly timed farts and boners in church (He has risen, indeed), then you are certainly going to appreciate this week’s episode. So grab your sack and turn off the new Jerseylicious and enjoy the show. Tyler and Aaron also want to let you know that they love you more than anything in the world.

http://www.ustream.tv/recorded/5973293

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